gena-rowlands:

hollywoods:

After all, there is nothing real outside our perception of reality, is there?
VIDEODROME (1983) dir. David Cronenberg

junior-stargazer-goke-deactivat:

Playtime (1967)

Director: Jacques Tati

Cinematographers: Jean Badal & Andréas Winding

stannisbaratheon:

She was absolutely determined to be ready. Ready for those cameras that would never turn.

GLORIA SWANSON as NORMA DESMOND
⁠—   ⁠SUNSET BOULEVARD (1950), dir. Billy Wilder

kitherondale:

THE OUTSIDERS
1983 | dir. Francis Ford Copolla

harrybyharry:

The antagonistic presence of men in Cléo de 5 a 7, dir. Agnès Varda, 1962

junior-stargazer-goke-deactivat:

Cléo from 5 to 7

Director: Agnès Varda

Cinematographers: Jean Rabier & Alain Levent

georgeromeros:

“They’re coming for you. Look! There comes one of them now!”

NIGHT OF THE LIVING DEAD (1968) dir. George A. Romero

anyataylorsjoy:

GET OUT (2017) dir. Jordan Peele

goryhorroor:

horror is a genre of literature, film, and television that is meant to scare, startle, shock, and even repulse audiences. the key focus of a horror is to elicit a sense of dread in the reader through frightening images, themes, and situations.

filmreel:

BODIES, BODIES, BODIES (2022) dir. Halina Reijn

beingharsh:

Beau Travail (1999), dir. Claire Denis

cheesepop:

ARMY OF DARKNESS
1992 | dir. Sam Raimi

branfraser:

Monica Vitti in L'ECLISSE (1962)
dir. Michelangelo Antonioni

dailyworldcinema:

How am I to protect my wax-built castles of love from the devouring heat of your fires?
‘Նռան գույնը’ The Color of Pomegranates
1969 | dir. Sergei Parajanov